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Feathers

Jennifer Bullis

St. Christopher strides across the river. Both hands grip a walking staff bracing him against the current, his calf muscles flexing as fish swirl about his legs. He is looking up at the infant Christ perched birdlike on his right shoulder. This is perhaps the moment in which the Saint, who does not yet know the identity of the child, is said to ask Him, “Why are you so heavy?” and Christ answers, “Because I bear on my shoulders the weight of the world.”


Poetry, Fiction, & Nonfiction   

Potatoes

Marcela Sulak

this once-heretical root, domesticated / for latkes. My calendar's terribly reduced.

A-Side, B-Side

Dylan Brown

He had kept the bulk of his music library, which covered every genre from obscure Sub-Saharan drum tracks recorded on cell-phones to honey-tongued R&B to Norwegian black metal, in his parents' basement. It was the only place, he had argued, that could support the weight of it all.

Two Transactions

Carmen Petaccio

He stared down the neck of the guitar like a rifle sight. The shelves in the glass case between us were lined with switchblades, laptops, engagement rings and arrowheads. A small fan on the counter blew only on the clerk. BEWARE: GUARD FERRETS, said a sign taped to the side of the register.

[SPRING: MOSAIC::]

J.P. Grasser

Touch them, the tesserae, the shards of floating glass, which skim the rain-full gutter. Not dead: us/them—mere stutters, gluttons for new skin. Life, peel back your veil. Now, see? See it again: To be dead another time is a deciduous explosion.

From the Archives

Medal of Honor

Nghiem Tran

I asked Grandpa how he got the silver medal he’s so proud of, and he said he got it for shooting a Northern Viet bastard right in the face. He said the…

Relations

Mitra Vahdati

Chaie mikhai?                                                                                         Yes please. Merci amoo.He carries a small tea glass…

The Portuguese Man-of-War

Penny Anderson

They sit on mats assigned to names and say their names in bursts of glee or whispers. The Portuguese Man-of-War has no name...

From the Blog

Dora Malech makes her entrance into experimental poetry

To “stet” is the act of making a textual change and then changing it back and so on and so forth. In the spirit of “stetting,” Stet also acts as…

You Are Here: An Interview with Eduardo Portillo

“When I built my first stretcher, it was like finding a big surprise. It let me reinforce what I had been doing with painting, which was playing around…